Julian Michaels has designed the ultimate resort: VICE, where anything goes and the customers can play out their wildest fantasies with artificial inhabitants who look, think and feel like humans. When an artificial becomes self-aware and escapes, she finds herself caught in the crossfire between Julian's mercenaries and a cop who is hell-bent on shutting down Vice, and stopping the violence once and for all.
In Los Angeles at the turn of the 1970s, drug-fueled detective Larry "Doc" Sportello investigates the disappearance of an ex-girlfriend.
Miami Vice is a feature film based on the 1980s action drama TV series. The film tells the story of vice detectives Crockett and Tubbs and how their personal and professional lives are dangerously getting mixed.
A mysterious oriental skull transforms a father into his son, and vice versa.
An unlikely Hollywood hooker helps a detective set a trap for a mutilator pimp.
Michael Madsen stars as Max Walker, a down-and-out cop who becomes the target of a bloodthirsty drug cartel after he leads a narcotics bust to intercept a large shipment of heroin. When someone starts picking off his team members -- and the drugs seized in the raid suddenly disappear -- Walker pairs up with one of his detectives (Daryl Hannah) to uncover a conspiracy that may go straight up the chain of command.
Oliviero is a burned-out writer, living at his estate near Venice, his dead mother dominating his imagination. He is also a degenerate: sleeps with his maid and his ex-student, hosts Bacchanalia for local hippies, and humiliates his wife Irina in front of strangers. She lives in terror. When a young woman is murdered, police suspect Oliviero. Things get complicated when his young, beautiful, and self-confident niece, Floriana, pays an unexpected visit. A silver-haired stranger observes. More women die, and thoughts of harming Irina give Oliviero new inspiration. What's Floriana's game and who's the observant stranger? Watching all is a black cat named Satan.
A Los Angeles police captain (Edward G. Robinson) ties the case of a slain policeman to a bank robbery, all in a day.
A vice cop and her partner investigate a string of murders apparently tied to high-priced Las Vegas call girls.
A prostitute sets out to frame a cop.
Everything is for sale in Vice City, where the cops are dirtier than the call girls they bust and every dark alley and shadowed corner promises a dangerous seduction. Where the only rendezvous is a lurid one and the only thing cheaper than a trip around the world is the soul of the pretty young thing selling the ride. Enter Daisy (Mia Zottoli), a small-change stripper with dreams of an empire who will not stop until she holds the city in her silken fist. Assembling a crack team of next level super-hookers and moving their action out of the alley and onto the hill, Daisy's syndicate takes aim at the wealthy elite. But when the scandal heats up, Vice Detective Angie (Holly Sampson) hits the case hard while whetting her own appetites and ducking an Internal Affairs (CC Costigan) investigation into her partner's nasty habits, proving that no one is what they seem in Vice City, unless they seem real naughty.
In 1947, Lord Mountbatten assumes the post of last Viceroy, charged with handing India back to its people, living upstairs at the house which was the home of British rulers, whilst 500 Hindu, Muslim and Sikh servants lived downstairs.
A mother goes to Hollywood to find her runaway daughter. She discovers that the girl has become involved in the pornography industry, and goes to the police to get help in finding her.
Three sexy cops will have to go undercover to catch a ruthless pornographer who is murdering young runaway girls.
A police captain's niece is trapped by white slavers.
Naomi (Jun Izumi) and her business partner Tadashi run a neighborhood bar, sharing the profits, as well as each other. One evening, a yakuza gangster swaggers into the bar with a stack of money for Tadashi. he takes Naomi in an exchange. She is trained as a high-class hooker and is, seemingly, grateful for getting the opportunity to experience the joy of sex. However, appearances are deceiving. Secretly, Naomi is carrying grudge against the yakuza and she finally has the opportunity to take revenge.
Growing up can be a bumpy road, and it's no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Like all of us, Riley is guided by her emotions - Joy, Fear, Anger, Disgust and Sadness. The emotions live in Headquarters, the control center inside Riley's mind, where they help advise her through everyday life. As Riley and her emotions struggle to adjust to a new life in San Francisco, turmoil ensues in Headquarters. Although Joy, Riley's main and most important emotion, tries to keep things positive, the emotions conflict on how best to navigate a new city, house and school.
Newly married to an older man, Julie returns to Vienna, where a razor wielding slasher is killing women. Jean, her cruel and sadistic former lover, immediately contacts her, certain that only he can satisfy her strange vice. But she rejects him. She also meets George, the handsome cousin of her friend Carol; both are newly rich, thanks to an uncle's death. Julie's husband Neil is away frequently, so George pours on the charm. Meanwhile, it seems that the slasher is now focused on Julie. Bodies pile up, other murders are barely avoided, and George invites her to go away with him. Can it end happily?
1944 : Occupied France. Juliette (Vice) is Wehrmacht General Bamberg's mistress and enjoys a privileged life. Her younger sister Justine (Virtue) is about to marry Jean who is in the Resistance and come to Juliette for help. Both sisters end up at "la Commanderie", where Juliette becomes SS Colonel Schonberg's mistress and Justine is detained with other pretty girls who must satisfy the sexual needs of high-ranking nazi officials. Inspired by "Justine ou les infortunes de la vertu" by the marquis de Sade
A custodian in a housing project discovers that a naked, mute woman he found in one of his apartments has miraculous healing powers.
In the 1750s London’s perilous streets were run by armed gangs, corrupt night watchmen and thief takers. Then two Westminster magistrates, novelist Henry Fielding and his brother, John, obtained a grant from Parliament allowing them to bring some law and order to the crime-ridden boroughs of Central London.