1918. Fábián Bálint is forced to kill humans on the Italian front. At home his sons drown the priest, the lover of their mother, in the river Kraszna. Mrs. Fábián turns insane. Following his arrival home Bálint becomes the liveried coachman of the baron.
A hardcore American racist skinhead who, because of his intelligence, leads a gang dedicated to fighting the enemy: the supposed American-Jewish conspiracy for domination. However, he's hiding a secret: he's Jewish-born, a brilliant scholar whose questioning of the tenets of his faith has left him angry and confused, turning against those who he thinks have a tragic history of their own making.
In 1841, young Ishmael signs up for service abroad the Pequod, a whaler sailing out of New Bedford. The ship is under the command of Captain Ahab, a strict disciplinarian who exhorts his men to find Moby Dick, the great white whale. Ahab lost his his leg to that creature and is desperate for revenge. As the crew soon learns, he will stop at nothing to gain satisfaction.
On the east coast of New Zealand, the Whangara people believe their presence there dates back a thousand years or more to a single ancestor, Paikea, who escaped death when his canoe capsized by riding to shore on the back of a whale. From then on, Whangara chiefs, always the first-born, always male, have been considered Paikea's direct descendants. Pai, an 11-year-old girl in a patriarchal New Zealand tribe, believes she is destined to be the new chief. But her grandfather Koro is bound by tradition to pick a male leader. Pai loves Koro more than anyone in the world, but she must fight him and a thousand years of tradition to fulfill her destiny.
Based on the true childhood experiences of Noah Baumbach and his brother, The Squid and the Whale tells the touching story of two young boys dealing with their parents divorce in Brooklyn in the 1980's.
That infamous whale is bigger, badder and a whole lot stronger in this sci-fi reimagining of Herman Melville’s classic tale of the battle between man, sea and sea creature starring “Xena” alum Rene O’Connor as the (traditionally male) narrator. But the boat — now a high-tech submarine — is also bigger, and Capt. Ahab is as determined as ever to settle the score and take down the mighty sea mammal that maimed him.
Researching a book that takes her to Bali and the black magic cult of Leák, Cathy meets an evil witch which promises to train her in the dark arts. Tricked, Cathy is turned into a Penanggalan; a flying vampire with internal organs hanging from her neck. It is now up to the local holy men who are then enforced to do battle with the forces of evil.
Jero, who know sustains a lively practice as both medium and masseuse, recalls her earlier poverty and despair as a farmer, and how she fled her home and wandered briefly in the countryside as a peddler. After serious illness and mystical visions, she returned to her husband and underwent a consecration ceremony as a spirit medium. Here she talks with Linda Connor about these experiences.
Two young boys who have met by fate are bound by the irony of their lives. Can two different people share the same story? And can each of them find his own escape?
Birds in flight break through rusted clouds and translucent buildings. Rebar at a construction site seems to snake through sunlit puddles
In 1981, anthropologist Linda Connor and filmmakers Tim and Patsy Asch returned to Bali with video cassette recordings of A Balinese Trance Seance. The resulting film presents some of her reactions to Connor as she watched and listened to herself for the first time. Jero had a unique opportunity to spontaneously and consciously react to and reflect upon the experience of possession. Her comments provide insight into how she feels while possessed, her understanding of sorcery, and her humility in the presence of the supernatural world. More mundane thoughts are revealed as well, for example the importance of the fine appearance of her house. Jero On Jero could most fruitfully be used as a companion to A Balinese Trance Seance, which would be shown first and followed by a discussion, before screening Jero Tapakan's own response.
Bringing offerings of rice, flowers, and woven coconut leaves, clients visit Jero in her household shrine to determine the cause of their son's death. Jero lights an incense brazier, sprinkles holy water, and recites mantras as preliminaries to trance. Several ancestors and finally the young son speak through her voice, revealing the nature of his premature death (witchcraft) and his wishes for cremation. In contrast to other films about Balinese trance which focus on spectacular, community performances, this film provides an intimate view of a fascinating process of communication between Jero, the spirits, and her clients who are at one point moved to tears. (der.org)